i want my dog back!

On the surface, the plot of The Brave One is somewhat simplistic, a standard revenge/vigilante thriller with a satisfying, if implausible, ending. But, deep down, it's something more: a brutal love song to the city of New York, a narrative about reclamation and identity and overcoming traumas that are impossible to overcome. It's not a perfect film by any means, but the underlying psychology of the film and Jodie Foster and Terrence Howard's subtle, precise performances lend The Brave One a quiet brilliance that, for me, makes up for its occasional stumbles. Besides, who can resist Jodie Foster kicking ass, enacting a fantasy of vigilantism that everyone can relate to even if only in our darkest dreams.

A radio journalist with an NPR-esque program called "Street Walk," Erica Bains (Jodie Foster) is almost impossibly happy with her life and her fiance, David, a doctor played by Naveen Andrews (from the hit TV show Lost). Knowing what's about to happen in the film, their happiness together is especially heartbreaking and, I agree with A.O. Scott's NY Times review in this, "remind[s] you just how little the portrayal of happiness has figured in Ms. Foster’s recent performances" (for another compelling NY Times article that's more about Foster than the film, read "Forever Jodie, Forever a Pro"). Walking through Central Park with their dog at dusk, Erica and David are savagely attacked by three hoodlums with a pipe. When Erica awakens three weeks later in the hospital, she's told that David is dead and finds her world crumbling around her.

Barely able to leave her apartment for fear of the streets she used to love, Erica buys a gun illegally (worried she won't make it through the mandatory 30 day wait for a license) for protection. Trouble seems to find Erica, and when she witnesses a murder at a convenience store, she's forced to take the law into her own hands. Afterwards, Erica finds herself becoming a different person, and while the first time she fires her gun she was just in the wrong place at the wrong time, each episode of her vigilantism escalates compellingly, from justifiable self-defense to questionable entrapment to outright predation. Meanwhile, she befriends Terrence Howard's character Detective Mercer, who's been assigned to the case of the unknown vigilante killer, even interviewing him for her radio show. Foster and Howard have a tenuous sort of chemistry that's perfect for their relationship on screen.

The most fascinating aspect of The Brave One for me is how deeply it tries to entrench us in Erica's mind, to make us experience what she's going through and to let us see how even she doesn't truly understand what she's going through. For an action film, The Brave One is remarkably restrained, relying more on psychological tension than gratuitous violence. Moreover, the cinematography--New York all sharply-focused edges and oversaturated grey-tones--and largely ambient soundtrack really add to the vicious, deeply disturbing calmness of the film.